他完全知道一代的成功是源于长时间的感情铺垫，是源于人物的变化和成长，最后才能做出一个在很多人眼中其实有争议的选择。 Druckmann: I think the ending of “The Last of Us” worked for a lot of people because of how in the beginning of the game we did a lot to put you in alignment with Joel, and to make you care for Ellie, and because we delayed Joel making the choice to take care of Ellie for a while — people like Tess keep making that choice for him. We knew that some people were not going to be on board with Joel’s decision at the end of the game, but we tried to make it so that even if you’re not in alignment with him by the time you got there, we’ve hinted at what he’s capable of so much that you’re still on board for the ride. There’s something interesting that happens when you’re not in alignment with the character and the game makes you do something that you don’t want to do — you wrestle with those decisions in a different way than you would be able to in a passive medium.
他也知道一代结局的魅力就在于其模糊性和留白。 I remember the fear of how much people loved the ending of the first game because of how ambiguous it is. For years people have been debating “Does Ellie know Joel is lying to him? Does she not know? Does she know he’s lying but she’s willing to let it go because of how much she loves him?” And it turns out that it’s kind of all of those things.
他也知道Joel受玩家喜爱的核心所在——对家人厚重的情感投射，去他妈的其他人和世界。 Joel has made this decision for Ellie, and now she has to deal with the consequences of that choice. But again I’m not putting a judgment on it, because we do what we feel is right. And for Joel, the decision to choose Ellie over the vaccine was pretty consistent with his character. He’s the same guy from the prologue of the first game — when he refuses to pick up another family as he and Sarah are driving out of Austin — all the way to the end. He’s willing to do whatever it takes to protect his tribe.
他对艾莉的定位我也并不反对：艾莉和Joel使用暴力的方式不一致，Joel有一个清晰的人物内核，杀戮只是手段，没有情感负担；而艾莉会因这个产生情感波动甚至心理负担，我可以认同这个塑造，只要描写合理充分。 We tried to deconstruct Ellie’s relationship with violence versus Joel’s relationship with violence. With Joel, it’s very practical and pragmatic. He doesn’t find much pleasure or hatred in killing, he’s more indifferent, it’s just a function of how he survives. With Ellie — Malcolm Gladwell talks about this — it’s the concept of “the culture of honor.” Her ego is so intertwined with being wrong, and she has to make it right, and she believes she can’t come to rest until she makes it right.
岛哥哥和野村兄罪不至此和这种人相提并论吧.....他也配？
真是纯真的年代啊！
你们再怎么恨岛哥哥，岛哥哥也没让雷电砍死ss啊
横尾太郎是无辜的